This little monochrome painting was done with burnt sienna.
This is taken from my copyrighted manuscript: "The Artist's Toolbox"
Robert Wood and Maxfield Parrish almost always began serious works with an ultramarine blue monochrome under painting representing the values intended for the finished work. Others use a grey green. In any case it is a great way to get started and to solve problems early on, provide a unifying color and some color variations. Yellow ochre provides a great base. Try it, you'll like it.
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